FABRICS AND SOFT FURNISHINGS (3RD YEAR) A.O.

Fabrics and Soft Furnishings

For thousands of years, fabrics have been used in furnishing to provide warmth, comfort, protection and decoration.  They have been used as draperies, padding, hangings and coverings to provide comfort and protection.  Fabrics are used a great deal in interiors according to style, theme and décor.  Loose draperies and hangings were common features in medieval Europe.  The richness of the interiors was concentrated in textiles.  These were embroidered, dyed, painted to dramatically alter the appearance of a bare room.

TAPESTRY

Tapestry is often confused with a cross-stitch pattern used in wall hangings.  Originally, tapestry referred to pieces of fabric hung on the wall.  Different sets of tapestry were hung according to the time of the year. In autumn and winter, hunting and hawking scenes were popular, pastoral and romantic ones were associated with spring and summer.  War scenes from crusades and Trojan legends provided decorative themes.  Most of the techniques are as old as the 17^th century.

UPHOLSTERY

Upholstery with fabrics and its techniques had been mastered by the end of the 17^th century, by borrowing splendid material and lavish trimmings.  Initially these were detachable loose covers, which were later converted to fixed upholstery. These wrappings were supposed to be removed when the furniture was used.  Tapestries, furniture and carpets beside silk damasks and velvets were mostly produced in France and Italy.

MATERIALS USED FOR UPHOLSTERY

Textiles:

Textiles of different fibres, yarns and weaves are used for upholstery.  The selection depends upon the purpose of comfort, décor and ease of maintenance.  Various finishes are provided to enhance its performance. Textural variations can also be obtained through use of textiles.  Smooth fabrics like brocade, damask, wool etc. were used.

Types of Textiles

Wool:

Wool is an ideal fibre that is soft, comfortable and dyes well.  It is also flame proof.  Wool jacquard and wool piles are suitable upholstery material.  Knots and loops can be added to provide interest to the surface.

Silk:

Silk is a luxury fabric and impractical.  It is found in antique chairs and for the construction of velvet and brocades.

Cotton:

Cotton is used extensively for upholstery particularly for loose covers.  Cotton fabrics are easy to print and dye with low prices.  Heavily dressed cotton should be avoided. Cotton pile like corduroy and velveteen are suitable for upholstery since they are pleasant, comfortable and durable.

Linen:

Linen fibres are firmer more lustrous and stronger than cotton ones.  However, they crease easily.  They can be suitably blended with cotton.

Rayon:

Rayon is a synthetic fibre sometimes used as a blend with natural fibres.  It is cheap and durable with good abrasion resistance. Rayon velvets and rayon brocades are used as silk substitutes.

Nylon:

Nylon is extensively used for stretch covers.  The fibre is knitted and provides greater elasticity.  This may be blended with wool. Nylon fibres are quite tough and abrasion resistant.

Acrylic:

Acrylic resembles wool in its properties. Dralon acrylic is suitable for velvets.  Acrylics are tough, washable and long lasting. They are colour fast and easy to maintain.

Moulded Fabrics:

They are synthetic material that is produced as continuous sheets instead of fibres.  They may be used for loose covers and fixed upholstery. 

Blended Fabrics:

Natural and synthetic fibres may be combined to create blends with good qualities and low price.  Woollen blends are made with wool and rayon or acrylic.  They have greater resilience, durability and are less expensive.  Cotton and linen blends are quite common and ideal for loose covers. Terrene, rayon and nylon may be blended to provide better abrasion resistance.

COMMONLY AVAILABLE UPHOLSTERY FABRICS

Brocade: A multi coloured jacquard pattern cotton, silk, wool or nylon.

Brocatelle: Heavy fabric with raised patterns formed by satin weave on plain background.

Chintz: Patterned cotton fabric with glazed finish.

              

Corduroy: Weft pile fabric made from cotton or velvet in the form of chords.

Cretonne: Printed cotton or rayon in plain or twill weaves heavier than chintz.

Damask: Self-coloured, satiny fabric with traditional woven floral designs in cotton, linen, silk or synthetic fibres.

Denim: Twill weaves cotton fabric.

Gabardine: Lightweight, closely woven cotton fabric.

Lace: Hand or machine made cotton or nylon open work fabric with designs

Net: Transparent fabric made of cotton or synthetic yarns.

Satin: Soft cotton fabric with a surface sheen.

Seersucker: Crinkled cotton or nylon

Taffeta: Crisp, plain weave fabric with a distinct sheen made of synthetic fibres.

Tweed: Heavy coarsely woven woollen fabric

Twill: Is a diagonal weave cotton fabric.

Velvet: Pile fabric made from cotton as man made fibres that are very expensive.

Voile: A lightweight fine fabric made from cotton.

HIDES:

Leather is the most unbeatable fabric for upholstery.  It is tough, wears well and looks good even after prolonged use. Untreated natural leather may be used for outdoor furniture upholstery. Suede is more expensive than plain leather and requires great care.  It is soft and requires special treatment to make it long lasting.

The natural colour of leather like brown may be retained or it may be dyed in blue, green, pink, black etc.

Synthetic leathers are made of PVC and known as foam leather.  This is simulated leather which can be obtained in various textures and patterns.  This leather is therefore cool in summer and warm in winters.  Several designs can be constructed from the material.

Important Factors to Consider for Upholstery Selection:

• Resistance to abrasion
• Resistance to fading and colour fastness
• Crease Resistance
• Resistant to pests
• Resilience
• Ease of cleaning
• Wear and tear resistance

CARE AND MAINTENANCE:

Upholstery should be protected from pests and pets.  Dogs and cats may damage them by their claws and shredded hair. Perching on the arms may cause damage to arm covers. Cigarette smoke is absorbed by upholstery.  Sunlight causes fading and discolouration while heat may cause warping of wood. Condensation may cause moisture absorption of fabrics.

Remove stains by spotting as soon as they occur and protect chair backs and arm rests with loose covers.  Observe for woodworms, which may also damage the fabric.  Remove seat cushions for even wear. Wash or dry-clean removable covers and shampoo fixed covers with dry foam periodically. Leather upholstery should be dusted regularly and brushed.  Cream polish may be applied.  A cloth soaked in warm water with detergent may be used to wipe lightly when excessively soiled. Dry thoroughly and polish.  Plastic covered upholstery should be dusted regularly, vacuumed and wiped with moist cloth.

SOFT FURNISHINGS

Soft furnishings include fibres that are used for curtains, loose covers, cushions, bedspreads and quilts.  They contribute greatly to the appearance of the room by bringing to it colour, pattern and texture.  Some articles in addition provide warmth and comfort. Each article is subjected to variable amount of wear and tear.

CURTAINS

Windows dressing is essential to enhance or obscure the shape of the window and improve the style and décor of the window and room.  It provides privacy and thermal insulation, controls light, and helps in sound reduction.  This can be achieved by the use of curtains. The line, colour, pattern and texture contribute to character and atmosphere of the room.  Selection of fibre should be done with regard to its resistance to fading, abrasion, drape, dimensional stability and flame resistance.  The exposure to sunlight and airborne soiling should be considered. Lining of curtains helps to reduce damage of fading and rotting.  Curtains are subjected to abrasion by being pulled and drawn, brush against, rub along a floor or window frames and being laundered.  The abrasion resistance depends upon the type of fibre selected and fabric construction. Loosely woven material tends to loose drape and constant hand drawing may cause loss of shape.

Fibre for Curtains

Natural fibres like cotton, wool and linen have high tenacity and wear well. They do not catch fire fast and provide good thermal insulation.  Loosely woven fabrics do not drape well and these fibres may become yellow due to oxidation.  Synthetic fibres like nylon and polyester are easy to maintain and wear well.  They have good abrasion resistance but may be highly flammable.  A flame retardant finish is desirable.  Other fibres like glass fibre, acrylic and blends are also popular.  Plastic is used for shower curtains.

TYPES OF CURTAINS

Glass curtains:

These are made of sheer fabrics of simple straight-line covering the entire window area with draperies.

Back curtains:

These are made of sheer fabrics and lightweight material with decorative ruffles.  They are fixed on the frame or wall by special fixtures.

Criss cross curtains:

Wide panels are mounted on walls so that they overlap on the top and are tied back.

Café Curtains:

Short curtains that cover the portion of a window often hung on decorative rods by means of rings.

Cottage curtains:

These are combination of café and back curtains.

Tier curtains:

Two or more horizontal rows of short curtains, which are mounted on rods so that they overlap.

Vertical draw curtain:

These are mounted on traverse tracks so that they can be drawn open.

Vertical drop curtain:

These are curtains, which move up and down and are found in theatres and cinema halls.

Swag and Tail curtains:

These are heading at the top of the curtains and form an integral part of the styling.

Curtains are fixed to the track by rings or hook and drop to the floor or windowsill.  The fabric for the curtain should be a large piece hanging in folds with the entire pattern visible.  It is better to avoid fabrics with white background in large establishments.  The general width of the material may be 90 cms, 120 cms, 150 cms or more.  The curtain width should be a minimum of one and half times the track width.  Lining the curtain helps to protect from dirt or sunlight and provides good drape.  Silk fabrics are expensive and usually used in luxury establishments in public areas and suites. Brocades, damasks, velvet's and a variety of weaves may be used. For the bedroom, a lighter material like cotton, linen, chintz, satin etc may be used.  In bathrooms, a heavy window does not require curtains but nylon, plastic and glass fibre material are often used for shower curtains.  Plastics may easily dry but may tear easily.

GENERAL POINTS IN CURTAIN CONSTRUCTION

1. Velvet and pile fabric should hang with the pile running downwards.

2. 15-30 cms should be allowed for hem and turning on each curtain.

3. For floor length curtains, it should be 1.5 - 2.5 cms. above floor level to prevent friction.

4. The minimum width for any curtain should be one and half times or 2 times the width of the track.

5. The curtain heading may be gathered, pleated or held with tapes.

6. Lining should be fixed at the top and side of the curtain but not attached at the hem.

7. Hems and sides should be hand sewn but not machine stitched.

8. Heavy curtains may have weights or chains at the hem to improve the hang.

9. Flame retardant fabrics should be used in public rooms.

10. Draw cords or curtain controls should be used to pull the curtain.

Care and maintenance

1. Keep the rod and track free from dust by using wall broom or vacuum cleaner.

2. Shake the curtain to dislodge dust.

3. Deal immediately with fade edges, stains, detached hooks and gummed curtains.

4. Reverse double sided unlined curtains for fading.

5. Use dry cleaning or solvent sprays for brocade, damask curtains.

Loose Curtains (Covers)/ Skirtings

These are detachable, fitted over, upholstered chairs, stools etc.  They give a clean, fresh appearance but require constant maintenance. They protect the original upholstery and can be changed more frequently.  Fixtures like holes, zips or Velcro can be used to hold them in place.  Closely woven fabrics like chintz, crystalline with close weave are preferred for these covers.  They can withstand abrasion and do not snag easily.  The pattern, colour and texture of material should blend with the décor and other soft furnishing.  Loose covers may be laundered but dry cleaning is preferable to avoid shortage.  Nylon stretch covers may be used. To protect upholstered furniture from soiling, arm and back covers may be used.

Care and maintenance

1. Shake and tidy frequently
2. Brush and suction clean regularly
3. Dry clean as required

CUSHIONS

It may be used to increase the comfort of chairs and sofas and provide colour pattern and texture to the room.  They may be fitted to form a seat or a back; or may be used loosely as scatter cushions.  Shapes may vary from square, rectangular, circular, triangular, semi-circular to bolsters, which are elongated pillows. They will be filled with down, feathers, kappa, rubber, polyfill, urethane foam, thermo coal ball, silk cotton, foam plastic etc.

Care and maintenance

Cushions require constant attention

1. Shake and tidy frequently
2. Repair when necessary
3. Brush and suction clean regularly
4. Remove covers and wash or dry clean.

QUILTS

Provides a warm light bed covering but are quite expensive initially. They may be used as such or given a fabric covering.  Satin, polyester, silk and good quality fabrics are suitable for the top layer of the quilts.  Less slippery material like satin or linen may be used for under layer to prevent slipping.  They may be placed loosely on the bed or fixed with zips and flaps.  Duvets and eider downs are filled with down or synthetic fibres and used in place of blankets.  All the materials should be fire retardant.  Sheets of sponge can be used as an inlay.

Care and Maintenance

1.    Attend to repairs

2.    Check for stains and dirty marks

3.    Shade occasionally

4.    Launder and dry-clean when necessary